10 more melodic studies for viola, focusing on varying aspects of basic technique. Click here to listen to version for violin.

10 more melodic studies for violin, focusing on varying aspects of basic technique. Click here to listen to a recording of the pieces.

10 carefully selected pieces from the baroque period arranged for 2 violas. Arrangements of the the same pieces for 2 violins, violin and viola, and violin and cello are also available. Click here to listen to a recording of the pieces.

10 carefully selected pieces from the baroque period arranged for 2 violins. Arrangements of the the same pieces for 2 violas, violin and viola, and violin and cello are also available. Click here to listen to a recording of the pieces.

10 carefully selected pieces from the baroque period arranged for violin & cello. Arrangements of the the same pieces for 2 violas, 2 violins, and violin and viola are also available. Click here to listen to a recording of the pieces.

10 carefully selected pieces from the baroque period arranged for violin & viola. Arrangements of the the same pieces for 2 violas, 2 violins, and violin and cello are also available. Click here to listen to a recording of the pieces.

10 melodic studies for viola, focusing on varying aspects of basic technique. Also available for violin in the same keys, thus suitable for use with mixed violin/viola classes. Click here to listen to the version for violin.

10 melodic studies for violin, focusing on varying aspects of basic technique. Also available for viola in the same keys, thus suitable for use with mixed violin/viola classes. Click here to listen to the version for violin.

An abridged and extremely playable arrangement of Tchaikovsky's much celebrated overture. The arranger has endeavoured to include all the composer's main melodic material and, despite the reduced orchestration, retain the excitement and colour of the original. Click here to listen to a recording of the arrangement.

Wohlfahrt's 40 Elementary Studies Op. 54.

Wohlfahrt's 50 Studies Op. 74 Book I.

Wohlfahrt's 50 Studies Op. 74 Book II.

Wohlfahrt's 60 Studies Op. 45 Book I.

Wohlfahrt's 60 Studies Op. 45 Book II.

Ideal repertoire for the aspiring violin soloist, Dancla's 6th Air Varie on a theme by Mercadante, arranged for solo violin and string orchestra. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

A setting for mainly unison children’s voices and small orchestra of the 14th century carol "A Babe is Born".

Five celebrated madrigals by the Elizabethan composer Thomas Morley, arranged for string orchestra/quartet by Peter Martin. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The poignant second movement from Grieg's 'Peer Gynt Suite No.1 arranged for string orchestra/quartet from the composer's own transcription for solo piano. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

A melancholic and atmospheric adagietto for string orchestra by Peter Martin. The 3rd violin part doubles that of the viola. Listen to a recording of the piece here created using a Yamaha PSR S700 keyboard.

The hauntingly beautiful third movement from Mahler's Symphony No.5 in an abridged and simplified arrangement for string orchestra/quartet.  The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Albinoni's celebrated Adagio, abridged and arranged for string orchestra/quartet.

The second and third movements from Bach's Brandenburg Concerto No.6 arranged for string orchestra (Violin I, II, III, Viola, Cello & optional Bass). The PDF also contains parts for Violin IV, doubling that of the viola, and an additional viola part doubling that of the Violin III part. Click here to listen to a recording of the piece. An arrangement of the first movement is also available.

The Adagio and Allegro from Handel's first oboe concerto, transcribed and arranged for solo violin or viola and strings. The PDF also contains parts for solo viola, violin III doubling that of the viola and double bass. Click here to listen to a recording of the piece.

A slightly simplified arrangement for string orchestra or quartet of the Adagio from the Christmas Concerto. The violin III part doubles that of the viola. Click here to view the full score on You Tube.

The first movement of Beethoven's celebrated 'Moonlight' Sonata, arranged for string orchestra/quartet. The violin III part doubles that of the viola.

An arrangement for flexible junior orchestra of 'African Noel', based on a traditional Liberian folk song entitled 'Banuwa'. The PDF also contains parts for two trumpets in Bb, violin III (doubling that of the viola) and double bass. Please contact us if you require parts creating for other instruments. Click here to listen to a recording of the piece.

The virtuosic aria from Vivaldi's opera 'Griselda', arranged for string orchestra/quartet. The PDF also contains parts for violin III doubling that of the viola and double bass. Click here to listen to a recording of the piece.

Dancla's introduction and nine variations on the well-known French folk song 'Ah! Vous dirai-je, Maman' for violin quartet. The PDF contains both the score and individual parts. Click here to listen to a recording of the piece, or here to watch an accomplished and exhilarating performance of the work on YouTube.

Dancla's introduction and nine variations on the well-known French folk song 'Ah! Vous dirai-je, Maman' for violin quartet, transcribed for viola quartet. The PDF contains both the score and individual parts. Click here to listen to a recording of the piece, or here to watch an accomplished and exhilarating performance of the work by a young violin quartet on YouTube.

A short plaintive air followed by a rhythmic and strident dance. Easier to play than it sounds. The PDF contains a part for violin III, doubling that of the viola. Also available in a version for cello quintet. Click here to listen to a recording of the piece.

An arrangement for five cellos of the composers piece for string orchestra ’Air & Dance’. Click here to listen to a recording of the version for string orchestra.

Two contrasting pieces for violin and piano – a melancholy air, followed by a spirited scherzo.  The backing track folder also includes a multimedia PDF with integrated backing track accompaniments. Click here to listen to a recording of the piece.

Bach's celebrated Air, arranged for string quartet/orchestra.

One in a series of arrangements for 'Palm Court' trio - harking back to bygone days, with cream teas and cucumber sandwiches - "More tea, Vicar?"

A lively and festive sleigh ride for junior strings. The PDF contains melody and easier parts for all three instruments. The zipped backing track folder contains both practice and performance tracks. Click here to listen to a rercording of the piece.

A delightful and extremely playable concerto by Albinoni, originally in five parts, but here condensed and arranged for string orchestra/quartet. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Eight beautifully crafted pieces from Tchaikovsky’s ’Album for the Young’, arranged for string quartet/orchestra by Peter Martin. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Pieces by Bach, Galeotti, Handel, Leclair, Mozart, Tartini & Vivaldi, transcribed for viola & piano by Paul Klengerl.

Ten diverse and fun open string pieces for beginner cellists and piano. This item is also available for both violin/mixed strings and viola with piano accompaniment. Click here to listen to a recording of the pieces. Click here to view and listen to the full score on YouTube.

Ten diverse and fun open string pieces for beginner violists and piano. This item is also available for both violin/mixed strings and cello with piano accompaniment. Click here to listen to a recording of the pieces. Click here to view and listen to the full score on YouTube.

Ten diverse and fun open string pieces for beginner violinists and piano. To accommodate mixed string groups, the PDF contains parts for viola and cello, replacing the violin's open E  with first finger E on the D string, and double bass. This item is also available for both viola and cello with piano accompaniment. Click here to listen to a recording of the pieces. Click here to view and listen to the full score on YouTube.

A short festive march for string orchestra. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

An abridged and simplified arrangement of the Allegretto from Beethoven’s 7th symphony.  Click here to listen to a recording of the piece created with NotePerformer.

The allegro from Senaille's Violin Sonata in D Minor transcribed for viola & piano.

An arrangement for string orchestra/quartet of the famous Allegro by Fiocco. Also available for violin quartet & viola quartet.

An arrangement for 4 violas of the famous Allegro by Fiocco. Also available for violin quartet and string quartet/orchestra.

An abridged version by Peter Martin of Fiocco's celebrated Allegro.

An arrangement for 4 violins of the famous Allegro by Fiocco. Also available for viola quartet and string quartet/orchestra.

Willem Ten Have's extremely playable 'showpiece' for violin & piano.

Like its predecessors 'Allegro Deciso' and 'Con Moto', 'Allegro Con Brio' is a driving concert 'opener' for intermediate string orchestra/quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

A driving concert 'opener' for intermediate string orchestra/quartet. The violin III part doubles that of the viola. Click here to view and listen to the full score on YouTube.

Peter Martin's 'Allegro Deciso' arranged for flexible mandolin orchestra/ensemble. The PDF contains the following additional/optional parts :-

Mandolin III in lieu of Mandola, Guitar II in lieu of Mandola, Guitar III in lieu of Mandocello, Guitar iV in lieu of Double Bass, Acoustic Bass Guitar in lieu of Double Bass

The piece is playable by just mandolin quartet or flexible mandolin ensemble/orchestra. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

The first movement from Bach's Brandenburg Concerto No.6 arranged for string orchestra (Violin I, II, III, Viola, Cello & optional Bass). The PDF also contains parts for Violin IV, doubling that of the viola, and an additional viola part doubling that of the Violin III part. Click here to listen to a recording of the piece. An arrangement of the second and third movements is also available.

The first movement of Wassenaer's Concerti Armonico No.1, originally attributed to Pergolesi.  All bowings, dynamics and ornaments are editorial. The violin III part doubles that of the viola. Click here to listen to a recording of the suite made using the Wallander NotePerformer plug-in for Sibelius.

The invigorating allegro from Torelli’s Concerto Grosso Op.8 No.1. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

The Allegro from the last of Vivaldi's Op.3 'L'Estro armononico' concertos. Click here to listen to a recording of the piece. An orchestral backing track is available for just $1.

An abridged arrangement for flute quartet of the first movement of Mozart's 'Eine Kleine Nachtmusik'. Click here to listen to a recording of the piece.

An abridged arrangement for viola quartet of the first movement of Mozart's 'Eine Kleine Nachtmusik'. The PDF also contains a part for cello, doubling that of the viola 4 part. Click here to listen to a recording of the piece. A version for violin quartet is also available here.

An abridged arrangement for violin quartet of the first movement of Mozart's 'Eine Kleine Nachtmusik'. The PDF also contains a part for viola, doubling that of the violin 4 part. Click here to listen to a recording of the piece. A version for viola quartet is also available here.

The fourth movement from the first of Nicolas Chedeville's 'Il Pastor Fido' sonatas, previously attributed to Vivaldi. Click here to listen to a recording of the piece. The backing track folder contains tracks for both practice (slower) and performance.

Allegro from the sinfonia to Vivaldi's 'L'incoronazione di Dario' RV719. Click here to listen to a recording of the piece.

The exhilarating first movement from Johann Stamitz's Sinfonia in D major, transcribed for string orchestra/quartet. The PDF contains a part for violin III doubling that of the viola. Click here to listen to a recording of the piece.

The extremely playable first movement from Johann Stamitz's Sinfonia in D major - D-24 transcribed for string orchestra/quartet. The PDF contains a part for violin III doubling that of the viola. Click here to listen to a recording of the piece.

An adaptation, for string duet, of the second movement from Thomas Arne’s Sonata III. The PDF contains versions for violin duet, violin and viola, violin and cello, viola duet and viola and cello. Click here to listen to a recording of the piece.

The celebrated allegro from Senaille’s Sonata in D Minor.

A most delightful and playable Allegro from Leclair's Sonata No.VI for two violins without bass. Click here to listen to a recording of the version for two violins.

A most delightful and playable Allegro from Leclair's Sonata No.VI for two violins without bass, transcribed for two violas. Click here to listen to a recording of the version for two violins.

A most delightful and playable Allegro from Leclair's Sonata No.VI for two violins without bass, transcribed for two cellos. Click here to listen to a recording of the version for two violins.

One of four pieces taken from Beethoven's Serenade Op.25, arranged for string trio. The PDF also contains a part for violin II, doubling that of the viola. Click here to listen to a recording of the piece. Save money here by purchasing all four pieces in one album.

The ’Alleluja’ from Mozart’s ’Exultate jubilate’ K. 165 arranged for string quartet/orchestra.

Satie's comic song, transcribed for string orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece created using Wallander's NotePerformer plug-in for Sibelius.

Traditional American folk tunes and the music of Stephen Foster, brought together in this arrangement for Intermediate Orchestra. Click here to listen to a recording of the piece.

The exquisite Andante from Handel's fourth oboe concerto, transcribed for string orchestra/quartet. The PDF also contains parts for violin III doubling that of the viola and double bass. Click here to listen to a recording of the piece.

The Andante un poco assai from Schubert’s incidental music for the drama ‘Rosamunde’, arranged for string orchestra/quartet. The PDF also contains parts for violin III (doubling that of the viola} and double bass, enabling the arrangement to be performed by full string orchestra. Click here to listen to a recording of the piece.

The "Gliding Dance of the Maidens" from the opera Prince Igor, arranged for string quartet. The melody was also used in a song from the musical Kismet, entitled 'Strangers in Paradise'. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

'Anitra's Dance' from Grieg's 'Peer Gynt', arranged for string orchestra. The smaller notes are added to facilitate less experienced players and the piece can be performed using just the smaller notes, if more advanced players are not available. Whilst desirable, the triangle part (as used in the original score) is optional. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the arrangement.

An arrangement for string quartet/orchestra of Johann Strauss I's 'Annen Polka'. The violin III part doubles that of the viola.

The first of Faure's 'Trois Melodies' Op.7, transcribed for piano trio.

The first of Faure’s ’Trois Melodies’ Op.7, transcribed for string orchestra.The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

A gentle ballad with quasi baroque influences, scored for school/intermediate orchestra. Click here to listen to a recording of the piece.

An effective and melancholic concert item for string orchestra. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.This item is also available in a version for two violins (or violin and viola/cello) and string orchestra.

The second movement of Bach's Harpsichord Concerto in F Minor arranged for string orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

An effective and melancholic concert item for two solo violins (or solo violin and solo viola/cello) and string orchestra. The PDF also contains parts for solo viola and solo cello (doubling that of the violin II solo), a violin III part (doubling that of the viola), and a separate part for double bass. Click here to listen to a recording of the piece.Click here to view and listen to the full score on YouTube.This item is also available in a version for string orchestra alone.

The second movement of Bach’s Harpsichord Concerto in F Minor arranged for violin & piano.

A delightful divertimento for mixed string trio, drawn from Arne’s trio sonatas Op.3. The PDF also contains parts for viola, doubling the violin II part, and viola, doubling that of the cello. Click here to listen to a recording of the piece.

The first movement from Arne's Keyboard Sonata No.7, effectively arranged for string duet and playable in the 1st position. The PDF contains versions for 2 violins, 2 violas, 2 cellos, violin & viola, violin & cello and viola & cello.

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to view and listen to the full score on YouTube.

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for brass quartet. The PDF contains optional parts for Cornets 1 & 2, Tenor Horn, French Horn, Euphonium, Bb & Eb Bass. Click here to listen to a recording of the piece.

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for flute quartet. Click here to listen to a recording of the piece.

Handel's 'Arrival of the Queen of Sheba' arranged for flexible mandolin orchestra/ensemble. The PDF contains the following additional/optional parts :-

Mandolin III in lieu of Mandola, Guitar II in lieu of Mandola, Guitar III in lieu of Mandocello, Guitar iV in lieu of Double Bass, Acoustic Bass Guitar in lieu of Double Bass

The piece is playable by just mandolin quartet or flexible mandolin ensemble/orchestra. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

One in a series of arrangements for 'Palm Court' trio - harking back to bygone days, with cream teas and cucumber sandwiches - "More tea, Vicar?"

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for two violins and cello. The PDF contains a part for viola, doubling that of the violin II part. Click here to listen to a recording of the piece.

An arrangement for viola & piano of Handel's sinfonia from 'Solomon'.

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for viola quartet.

An simplified, yet highly effective arrangement for violin & piano of Handel's sinfonia from 'Solomon'. Click here to listen to a recording of the piece.

The celebrated Sinfonia from Handel's opera 'Solomon' arranged for violin quartet.

The fifth and perhaps best known piece from Albeniz's Suite Espagnole Op. 47 arranged for string orchestra/quartet. The PDF contains a violin III doubling that of the viola and a part for double bass. Click here to listen to a recording of the piece.

Adapted from a Volta, taken from Praetorius’s 'Terpsichore', the piece evokes the dance music of the court of Henry VIII. The PDF contains parts for viola I and II ( doubling those of the violins) and double bass. Click here to view and listen to the score on YouTube.

An evocation of the court of King Henry VIII for training orchestra. Click here to listen to a recording of the piece. Also available for string orchestra/quartet.

An evocation of the court of King Henry VIII for string orchestra/quartet. The percussion parts are optional but desirable. Click here to listen to a recording of the piece. This piece is also available in a version for training orchestra.

Gounod’s meditation on J.S. Bach’s Prelude in C Major, arranged for string orchestra/quartet. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Gounod's transcription of Bach's first prelude from 'Das Wohltemperierte Klavier' BWV 846 arranged for piano trio.

Gounod's transcription of Bach's first prelude from 'Das Wohltemperierte Klavier', BWV 846 arranged for violin & piano.

An arrangement for string quartet/orchestra of Mozart's motet.

The spirited final movement from the Concerto I, Op. 3 by the Newcastle born composer Charles Avison. The concerto was one of a collection of twenty six published in 1758. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

The Bacchanale from Saint-Saëns's opera 'Samson & Delilah', arranged for string quartet/orchestra. The PDF also contains parts for violin III, doubling that of the viola, and double bass. Less experienced players may choose to play the smaller lower notes in the violin I part. Click here to listen to a recording of the piece.

The exquisite second movement from Bach's Violin Concerto in A Minor, arranged for string quartet/orchestra by Peter Martin. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The first of Bach's six sonatas for violin & keyboard.

The second of Bach's six sonatas for violin & keyboard.

The third of Bach's six sonatas for violin & keyboard..

The fourth of Bach's six sonatas for violin & keyboard.

The fifth of Bach's six sonatas for violin & keyboard.

The sixth of Bach's six sonatas for violin & keyboard.

A simple but most effective adaptation of Bach's celebrated prelude for junior strings. The PDF also contains melody parts for viola and cello, and a viola part doubling that of the violin II part. This flexible arrangement can be performed by just one melody instrument and piano, through to a full compliment of strings with piano, drum and bass accompaniment. Click here to listen to a recording of the piece.

The celebrated minuet from the 'Notebook for Anna Magdalena' in an upbeat arrangement for orchestra. Click here to listen to a recording of the piece. 

A short but charming 'Disney' like ballad for school/intermediate orchestra. Click here to listen to a recording of the piece.

The final movement of Debussy's 'Petite Suite', arranged for string orchestra/quartet. The additional smaller notes  are  included to facilitate the less experienced players. The PDF contains parts for violin III, doubling that of the viola, and double bass. Click here to listen to a recording of the piece.

Six pieces from the young Mozart's 'Ballet Music from Ascanio in Alba', adapted and arranged for string orchestra/quartet. The PDF contains parts for violin II, doubling that of the viola, and double bass. Click here to listen to a recording of the piece.

Schubert’s Ballet music from ’Rosamunde’, arranged for string orchestra or quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

An arrangement for junior strings, percussion and piano of the traditional Liberian folk song 'Banuwa', the melody of which is also used as the basis of the popular carol  'African Noel'. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

An arrangement for string quartet/orchestra of Emanuele Barbella's Sonata for Two Mandolins and Bass. The violin III part doubles that of the viola. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

One in a series of arrangements for 'Palm Court' trio - harking back to bygone days, with cream teas and cucumber sandwiches - "More tea, Vicar?"

An arrangement for string quartet of the Barcarolle from the opera ’Lakme’. The PDF also contains a part for violin III, doubling that of the viola.

A companion piece to the second movement of ’From the Cutting Room Floor’. Click here to listen to a recording of the piece created with Wallander's NotePerformer for Sibelius.

Written originally to be performed as a massed orchestral item, featuring pupils of all abilities. Provides the opportunity for a bit of gentle audience thigh slapping, or possibly a beer or two........ Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece and a part for violin III (doubling that of the viola). Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece and a part for violin III (doubling that of the viola). Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece and a part for violin III (doubling that of the viola). Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece and separate parts for violin III (doubling that of the viola), and double bass. Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece, separate parts for violin III (doubling that of the viola), and double bass. Click here to listen to a recording of the piece.

Franz Beck was born in Mannheim in 1734, and considered the most talented pupil of Johann Stamitz. He wrote 24 symphonies, through which he developed a taut, dramatic style, remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing. The delightfully varied Op.1 symphonies were scored for string orchestra. The dynamics in this edition are editorial, as are the bowings. The PDF contains an embedded recording of the piece, separate parts for violin III (doubling that of the viola), and double bass. Click here to listen to a recording of the piece.

Franz Ignaz Beck's Six Sinfonias Op.1 available to purchase in one volume for just £15. The sinfonias are also available to purchase individually at £4.50. Click here to download an album containing recordings of all six sinfonias.

The famous quartet from Verdi's 'Rigoletto' arranged for string orchestra/Quartet. The PDF contains a seperate part for the double bass a violin III part, which doubles that of the viola. Click here to listen to a recording of the piece.

Faure's delightful Berceuse Op. 16 arranged for violin & piano.

12 contrasting pieces for violin on open strings with backing track accompaniment, written & arranged by Peter Martin. Click here to listen to samples of the pieces. As yet, there is no piano accompaniment available for this item.

10 duets for beginner violists and their teacher, written and arranged by Peter Martin. The pupil's part uses only open strings and first finger. Also available in a version for two violins. Click here to listen to the version for violin duet. Click here to view and listen to the version for violin duet on YouTube.

10 duets for beginner violinists and their teacher, written and arranged by Peter Martin. The pupil's part uses only open strings and first finger. Also available in a version for two violas. Click here to listen to the collection.

An arrangement of the traditional Russian air for string quartet/orchestra and featuring both violinists, alla Czardas. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Three contrasting pieces in a popular style for flute quartet. Click here to listen to a recording of the pieces.

Three contrasting pieces in a popular style for string quartet.

Three contrasting pieces in a popular style for brass quartet. the PDF contains the following parts - Trumpet I in Bb, Trumpet II in Bb, Trombone, Tenor Horn in Eb - doubling Trombone, Horn in F - doubling Trombone, Tuba and Euphonium in Bb - doubling Tuba. Click here to listen to a recording of the piece.

An arrangement for unison voices and orchestra of a traditional Moravian carol.

A delightful Moravian carol arranged for string orchestra. The PDF contains a part for violin III doubling that of the viola. The percussion parts, whilst optional, greatly enhance the performance of the piece. Click here to listen to a recording of the piece. Also available in a version for choir and orchestra.

A collection of 12 traditional British fiddle tunes arranged for violin and piano with optional easy violin and cello/bass parts. The tunes are arranged in 4 sets, each containing 3 dances.

Braziliana was inspired by the sights and sounds of possibly the world's most vibrant and exciting country and culture. The piece calls for and benefits from a whole battery of percussion instruments, and although drum kit alone will suffice, why not introduce a little audience participation to create that authentic samba feel? Click here to listen to a recording of the piece.

A driving boogie for young string orchestra/quartet. The violin III part doubles that of the viola.

The Bridal March from 'Lohengrin' arranged for string quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Foot tapping boogie for string orchestra/quartet. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The Brook Green Suite for strings was written in 1933 during Holst's stay in the hospital (where he was to die in May 1934). It was written for his pupils, the junior orchestra at St Paul's Girls School.

Like Palazzo Barbaro, Venezia and Vivaldiana, the exhilarating Ca' Pesaro was influenced and inspired by music of the Venetian baroque. The Ca' Pesaro of the title is an impressive Baroque marble palace facing the Grand Canal of Venice, designed by the architect Baldassarre Longhena in the mid-17th century. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

The ’Cachucha’ from Gilbert & Sullivans ’The Gondoliers’ arranged for string orchestra/quartet.

Like 'Rollickin Reel' and 'You've Got It!', this arrangement provides an orchestral accompaniment for the 'Calypso' from the book 'Get Bow & Boogie' - ideal for use as a massed item for all ability levels. The PDF also contains parts for bass clarinet, trombone in Bb, violin III (doubling that of the viola) and easy violin, viola and cello. Click here to listen to a recording of the piece.

Offenbach’s celebrated Can-Can arranged for school/intermediate orchestra. Also available in it’s original orchestration. Click here to listen to a recording of the arrangement.?

Offenbach’s celebrated Can-Can from the operetta ’Orpheus in Hades’ in it’s original orchestration. Also available in reduced and simplified versions for both school/intermediate orchestra and string orchestra/quartet.

An arrangement of Offenbach's celebrated Can-Can for string orchestra or string quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

A versatile and fun Christmas concert item for junior strings. The PDF also contains both melody parts and ensemble parts for viola and cello, and the violin II part is easy enough to be performed by this years’ beginners! Click here to listen to a recording of the piece.

A setting for mixed strings and piano of Faure’s exquisite ‘Canticle of Jean Racine’. The PDF contains parts for violin III and viola ( in lieu of cello), and a part for viola, doubling that of the violin II part. This versatile arrangement can be played by a number of different combinations, from just two/three violins and piano to a full massed string group with piano. Click here to listen to a recording of the piece.

O Holy Night" ("Cantique de Noel) is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem "Minuit, chretiens" by Placide Cappeau, a wine merchant and poet. Cappeau was asked to write a Christmas poem by a parish priest. It has become a standard modern carol for solo performance with an operatic finish. The harp part can be played by harp, piano or keyboard with sampled harp. The arrangement also serves well as an accompaniment with soprano soloist. Click here to listen to a recording of the piece.

Ten Have's Capriccio for Violin & Piano Op. 24.

Paganini’s renowned 24^th Caprice, abridged and arranged for string orchestra/quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Peter Warlock's Capriol Suite, written in 1926 and based on dance tunes taken from Arbeau's 'Orchesographie' of 1589. Click here to listen to a recording of the piece.

A fun and colourful calypso for mixed strings and piano. The PDF also contains melody and mostly open strings parts for viola and cello. Click here to listen to a recording of the piece.

Leontovych's much celebrated carol, transcribed for junior strings & piano by Peter Martin. Playable in the first finger pattern throughout. The PDF also contains parts for viola and double bass. Click here to listen to a recording of the piece.

A highly effective arrangement for full orchestra of Leontovych's 'Carol of the Bells'. Click here to listen to a recording of the piece.

Leontovych's much celebrated carol, transcribed for string quartet/orchestra by Peter Martin. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

An affectionate and nostalgic tribute to the classic cartoons of the last century. The PDF contains a violin III part doubling that of the viola. Click here to listen to a recording of the piece.

The exquisite cavatina from Bellini's opera 'Norma' arranged for string quartet.

Raff's charming Cavatina in the original transcription for violin & piano.

Haydn's Cello Concerto No. 2 in D Major.

Grieg's Sonata for Violoncello & Piano Op. 36.

Chopin's Cello Sonata Op.65.

Three Celtic melodies, ‘She Moved Through the Fair’, ‘The Congress Reel’ and ‘Cooley’s Reel’, arranged for string orchestra/quartet. The PDF also contains a part for violin III, doubling that of the viola. The percussion part, whilst desirable, is optional. Click here to listen to a recording of the piece.

Celtic Mist, featuring an evocative opening, followed by a lively jig & reel is guaranteed to get your audience tapping their feet.The violin III part doubles that of the viola. The tenor drum part, whilst desirable, is optional. Click here to listen to a recording of the piece.

Vitali's celebrated Chaconne in G Minor.

Vitali’s celebrated Chaconne,  abridged, simplified and arranged for string quartet/orchestra. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The chaconne from Purcell’s opera ’The Fairy Queen’. All dynamics and bowings are editorial. The third violin part doubles that of the viola. Click here to listen to a recording of the piece.

Elgar's popular salon piece in it's original version for violin and piano.

Elgar's popular salon piece in it's original version for violin and piano.

An arrangement for school/intermediate orchestra of Bizet’s Toreador’s Song. The spirit of the original orchestration has been retained as closely as possible. Click here to listen to a recording of the piece.

An arrangement for string quartet/orchestra of Tchaikovsky’s celebrated piano piece from 'The Seasons', ’Chanson Triste’. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Glazunov's Chant du Menestrel Op. 71 for violoncello & Piano.

Originally written for clarinet quartet, this three-piece set for flute quartet pre-dates the composers ever popular Blues, Ballad & Boogie. Click here to listen to a recording of the pieces.

Originally written for clarinet quartet, this three piece set pre-dates the composers ever popular Blues, Ballad & Boogie. The violin III part doubles that of the viola.

Originally written for clarinet quartet, this three piece set, here arranged for brass quartet, pre-dates the composers  ever popular Blues, Ballad and Boogie. Click here to listen to a recording of the suite.

Written for clarinet quartet, this three piece set pre-dates the composers ever popular Blues, Ballad & Boogie. Click here to view and listen to the version for brass quartet on YouTube.

Originally written for clarinet quartet, this three piece suite, here arranged for flexible wind & brass ensemble, pre-dates the composers ever popular Blues, Ballad and Boogie. The PDF contains the following parts - Part I in Bb, Part I in C - A, Part I in C - B, Part II in Bb, Part II in C, Part III in Bb - A, Part III in Bb - B, Part III in Eb, Part III in F, Part IV in Bb - Treble Clef, Part IV in C and Part IV in Eb. Click here to listen to a recording of the suite. Click here to view and listen to the version for brass quartet on YouTube.

The aria 'Che faro senza Euridice?' from Gluck's opera 'Orpheus', transcribed for string orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

10 progressive fun pieces for the young violinist with piano accompaniment by Peter Martin. Click here to view and listen to the full score on YouTube.

The 'Chinese Dance' from Tchaikovsky's ballet 'The Nutcracker', arranged for string quartet/orchestra by Peter Martin. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

One of a series of 'food' related pieces for junior orchestra. The arrangement can be played by strings & piano alone. Click here to listen to a recording of the piece.

The classic piano duet ‘Chopsticks’, arranged for Junior String Orchestra. The pdf also contains a part for viola, doubling that of the second violin. Click here to listen to a recording of the piece.

The joyous ‘trumpet’ choral, ‘Nun seid ihr wohl gerochen’, from Bach’s Christmas Oratorio, arranged for string orchestra/quartet by Peter Martin. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

A welcome addition to the Junior Strings @ Christmas category for young string players and piano. The PDF also includes parts for Viola, Easy Viola and Cello – Melody. Click here to listen to a recording of the piece.

A sparkling and versatile festive concert item for junior strings and piano. The PDF also contains parts for viola, double bass and melody parts for both viola and cello. Click here to listen to a recording of the piece.

A suite of three circus inspired pieces for string orchestra/quartet. Thankfully, the ‘Elephant Parade’ is now a thing of the past! The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Gershwin's 'Clap Your Hands', arranged for string quartet from the composer's own transcription for piano solo. This arrangement is also included in the 'Gershwin Collection', a selection of four classic Gershwin songs priced at just £4.50. Click here to listen to a recording of the piece.

22 of the world's best loved classical themes, arranged for viola & piano by Peter Martin. Also available for violin & piano.

Land Of Hope And Glory, March From 'Carmen', Can-Can From 'Orpheus In The Underworld', Theme From 'Eine Kleine Nachtmusik, La Donne E Mobile, Habanera From 'Carmen', Theme From 'The Hunt', Arrival Of The Queen Of Sheba, Kanon, Prelude From 'Te Deum', Toccata, Jerusalem, The Entertainer, Theme From 'Winter', Theme From 'William Tell', Farandole From
'L'arlesienne Suite No. 2, Theme From 'Autumn', Grand March From 'Aida', Theme From 'Spring', Fur Elise, Minuet & March From The 'Nutcracker'

22 of the world's best loved classical themes, arranged for violin & piano by Peter Martin.

Land Of Hope And Glory, March From 'Carmen', Can-Can From 'Orpheus In The Underworld', Theme From 'Eine Kleine Nachtmusik, La Donne E Mobile, Habanera From 'Carmen', Theme From 'The Hunt', Arrival Of The Queen Of Sheba, Kanon, Prelude From 'Te Deum', Toccata, Jerusalem, The Entertainer, Theme From 'Winter', Theme From 'William Tell', Farandole From
'L'arlesienne Suite No. 2, Theme From 'Autumn', Grand March From 'Aida', Theme From 'Spring', Fur Elise, Minuet & March From The 'Nutcracker'

The celebrated Clog Dance from the ballet 'La fille mal Gardee'. The PDF contains a violin III part doubling that of the viola. Click here to listen to a recording of the piece.

The celebrated Clog Dance from the ballet 'La fille mal Gardee', arranged for brass quartet. The PDF contains alternative parts for 1st and 2nd Cornet, Trombone Treble Clef, French Horn, Tenor Horn, Euphonium, Bb Bass and Eb Bass. Click here to listen to a recording made using the Wallander NotePerformer plug-in for Sibelius.

A spirited samba for optional choir and junior strings. The PDF also contains two viola parts, doubling those of the violins. Feel free to add more Latin percussion! Click here to listen to a recording of the piece.

A driving concert opener for string orchestra in the manner of the composer's ' Allegro Deciso'. The violin III part doubles that of the viola and the kit part, whilst desirable, is optional. Click here to listen to a recording of the piece created using Wallander's NotePerformer plug-in.

Peter Martin's 'Con Moto' arranged for flexible mandolin orchestra/ensemble. The PDF contains the following additional/optional parts :-

Mandolin III in lieu of Mandola, Guitar II in lieu of Mandola, Guitar III in lieu of Mandocello, Guitar iV in lieu of Double Bass, Acoustic Bass Guitar in lieu of Double Bass

The piece is playable by just mandolin quartet or flexible mandolin ensemble/orchestra. Click here to listen to a recording of the piece. Click here to listen to the full score on YouTube.

An adaptation for string duet of the second movement from Thomas Arne’s third organ concerto. The PDF contains versions for violin duet, violin and viola, violin and cello, viola duet and viola and cello. Click here to listen to a recording of the version for two violins.

An invigorating concert piece for young string orchestra, with alternating time signatures (7/8 & 4/4), playable in the first position throughout. The PDF contains parts for violin III (doubling that of the viola) and cello II, to be used in the absence of, or to reinforce the double bass part. Click here to listen to a recording of the piece.

Popper's Concert Polonaise Op. 14 for cello & piano.

Popper's Concert Polyamide Op. 28 for cello & piano.

A transcription of the composer's Sonatina for Piano or Harpsichord. Click here to listen to a recording of the piece. Also available in versions for string orchestra and string trio.

A delightful concertino for two violins (or violin & viola) & piano by the German composer Emil Söchting. The PDF also contains a part for viola, doubling that of the violin II part. The backing tracks folder also contains ‘play along’ tracks with both the violin I & violin II parts. Click here to listen to a recording of the piece.

A three movement 'Celtic' inspired concerto/concertino for violin and string orchestra. Optional passages are included enabling the piece to be played using just the 1st - 3rd positions. Click here to listen to the piece. Click here to view and listen to the piece on YouTube. A piano reduction and backing tracks are also available.

A three movement 'Celtic' inspired concerto/concertino for violin and string orchestra arranged for violin and piano. Optional passages are included enabling the piece to be played using just the 1st - 3rd positions. Click here to view and listen to the score on YouTube. The full version for solo violin and string orchestra is also available.

A single movement concertino, written in the style of a 19th student concerto and playable in the first position throughout.

Rieding's Concertino in D Major Op.25.

A single movement concertino, written in the style of a 19th student concerto and playable in the first position throughout. The optional backing track contains the string orchestral accompaniment. Also available in an edition for violin & piano.

A single movement concertino, written in the style of a 19th student concerto and playable in the first position throughout.

One of a number of student concertos by the Hungarian composer Oscar Rieding.

One of a number of student concertos by the Hungarian composer Oscar Rieding.

The first of  three concertinos for violoncello & piano by Klengel..

The second of  three concertinos for violoncello & piano by Klengel.

The third of  three concertinos for violoncello & piano by Klengel.

Huber's Concertino No. 4 in G Major.

Pepusch's Concerto a 6 for 2 Cellos & Strings, originally written for cello, bassoon & strings.

Telemann’s delightfully quirky ‘Concerto Alla Polonaise’ transcribed and freely edited by Peter Martin. The PDF also contains parts for violin III (doubling that of the viola) and contrabass. Click here to listen to a recording of the piece.

Vivaldi's Concerto for 2 Mandolins, Strings & Continuo RV 532. All dynamics are editorial. Click here to listen to a recording of the piece.

The first of four concertos for four violins by Telemann, transcribed for viola quartet. All four concertos are also available to purchase in one volume priced at just £9.

The fourth of four concertos for four violins by Telemann, transcribed for viola quartet. All four concertos are also available to purchase in one volume priced at just £9.

The third of four concertos for four violins by Telemann, transcribed for viola quartet. All four concertos are also available to purchase in one volume priced at just £9.

The second of four concertos for four violins by Telemann, transcribed for viola quartet. All four concertos are also available to purchase in one volume priced at just £9.

The fourth of four concertos for four violins by Telemann. All four concertos are also available to purchase in one volume priced at just £9.

The third of four concertos for four violins by Telemann. All four concertos are also available to purchase in one volume priced at just £9.

The second of four concertos for four violins by Telemann. All four concertos are also available to purchase in one volume priced at just £9.

The first of four concertos for four violins by Telemann. All four concertos are also available to purchase in one volume priced at just £9.

Vivaldi's student Concerto in C Major transcribed and realised by Peter Martin. Also playable by viola, strings and continuo. The solo viola part is also included in the set. Click here to listen to a recording of the piece.

Vivaldi’s Concerto in F major for cello, strings & continuo, edited and realised by Peter Martin. Click here to listen to recording of the piece.

One of two concertos in G major for flute, strings & continuo by Pergolesi available on this site.

Vivaldi's Flute Concerto in D major RV429 realised and edited by Peter Martin. All dynamics are editorial. By request, the PDF now also contains the score & parts transposed down a tone into C major.

Vivaldi's Concerto in D Major for lute (or guitar), strings and continuo RV 93. All dynamics are editorial. The PDF contains a part for viola, doubling that of the violin II part. Click here to listen to a recording of the piece.

Vivaldi’s Concerto in C Major for Mandolin, Strings & Continuo RV 425, transcribed and realised by Peter Martin. Click here to listen to a recording of the piece.

Concerto in C Major for oboe, strings and continuo Op.8 No.12 edited and realised by Peter Martin.

Concerto in D Minor for oboe, strings and continuo Op.8 No.7 edited and realised by Peter Martin.

Telemann's Quartetto, TWV 43:B2 transcribed for string orchestra/quartet. The violin III part doubles that of the viola.

Telemann's Concerto for Strings in D Major, involving all sections in equal measure. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

One of a number of concertos written for String Orchestra.

Telemann’s Concerto for Strings in G Major transcribed and edited by Peter Martin. The PDF contains parts for violin III (doubling that of the viola) and contrabass. Click here to listen to a recording of the piece.

Karl Stamitz's Concerto for Viola Op.1.

Of Georg Philipp Telemann's surviving concertos, his Viola Concerto in G major is among his most famous, and still regularly performed today.

Vivaldi’s Concerto in D Major RV 209 transcribed for violin & piano. All dynamics are editorial. Available in versions for both violin & orchestra and violin & piano.

One of Vivaldi's lesser known concertos, written originally for the violino in tromba, and playable almost entirely in the first position. All dynamics are editorial.  Available in versions for both violin & orchestra and violin & piano.

The ninth concerto from Vivaldi’s L’estro armonico Op.3. Available in versions for both violin & orchestra and violin & piano.

Telemann's Concerto in G Major for violin, strings and continuo edited and realised by Peter Martin.

Vivaldi's Concerto in D Major for violin, strings & continuo RV 209 edited & realised by Peter Martin. All dynamics are editorial.

One of Vivaldi's lesser known concertos, written originally for the violino in tromba, and playable almost entirely in the first position. All dynamics are editorial.  Available in versions for both violin & orchestra and violin & piano.

The ninth concerto from Vivaldi’s L’estro armonico Op.3. Available in versions for both violin & orchestra and violin & piano.

Dvorak's Concerto for Violoncello Op.104.

Schumann's Concerto for Violoncello Op.129.

Accolay's Concerto in A Minor.

Bach's Concerto in A Minor, BWV 1041.

Vivaldi's celebrated Concerto in A Minor RV 356 transcribed for violin & piano.

Vivaldi's Concerto in A Minor Op.3 No.8 arranged for violin and piano.

One of a number of student concertos by the Hungarian composer Oscar Rieding.

A little known but most playable and attractive concerto for strings by Vivaldi. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

One of a number of student concertos by the Hungarian composer Oscar Rieding.

The fifth of six  keyboard concertos, Op. I, by the English born composer James Hook. One of the earliest works of its type, this delightful three movement piece bears favourable comparison with other keyboard concertos of that period, and provides aspiring pianists with an extremely playable concerto performance opportunity.  Originally scored for piano, two violins and cello, the PDF contains parts for the viola (doubling that of the second violin) and double bass. Additional dynamics and short cadenzas have been added by the editor .The ‘tutti’ piano parts, retained from the original score, can be omitted at the discretion of the soloist/conductor. Orchestra backing tracks for the three separate  movements are available. Click here to listen to a recording of the piece.

A student concerto in the manner of Vivaldi. Playable in 1st position throughout, it serves as an excellent introduction to the style of the period.

A student concerto, for violin and string orchestra, in the manner of Vivaldi. Playable in 1st position throughout, it serves as an excellent introduction to the style of the period.

Bach's Concerto in E Major, BWV 1042.

The first of Vivaldi’s Op. 8 concertos, ’La Primavera’ (Spring) in its original scoring with realised continuo part.

Mendelsohn's last large scale orchestral work and one of the most popular and most performed violin concertos of all time.

A largely contrapuntal concerto for string orchestra/quartet by Vivaldi. All dynamics and bowings are editorial. The PDF also contains parts for violin III (doubling that of the viola) and contrabass. Click here to listen to a recording of the piece.

One of Vivaldi's more playable concertos transcribed and edited by Peter Martin.

One of Vivaldi's more playable concertos, arranged for violin and piano. A edition for solo violin, strings and continuo is also available. Click here to listen to a recording of the piece.

Vivaldi's charming and extremely playable Concerto in G Major for string orchestra. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

One of a number of student concertos by the Hungarian composer Oscar Rieding.

A student concerto in the manner of Vivaldi. Playable in 1st position throughout, it serves as an excellent introduction to the style of the period.

A student concerto in the manner of Vivaldi, for violoncello and string orchestra. The piece serves as an excellent introduction to the style of the period. The PDF also contains parts for violin IV (doubling that of the viola) and double bass. The optional violin III part uses only open strings and first finger. Where possible, the keyboard part should be played using a harpsichord or organ voice. Click here to listen to a recording of the piece.

Bruch's first and most popular Violin Concerto in G Minor, Op.26.

Vivaldi's Concerto in G Minor RV 317 arranged for violin and piano.

One of Corelli’s most attractive and playable concerto grossi, transcribed and realised by Peter Martin. For performance by string quartet, select only the concertato and viola parts.

The fourth of twelve Concerti Grossi from Avison's Op.6. All dynamics are editorial.

Accolay's Concerto in D Minor.

Spohr's Concerto No. 2 in D Minor.

Haydn's Concerto No.2 in G Major.

Viotti's ever popular Concerto No.22 in A Minor.

Accolay's Concerto No. 3 in E Minor.

Rode's Concerto No.8 in E Minor.

Of Corelli's twelve Concerti Grossi Op.6, the last four are commonly referred to as concerti da camera.  These dance orientated works are generally considered technically and musically less demanding than the preceding eight concerti da chiesa and provide an excellent introduction to the genre. This edition adheres closely to the original and contains only the sparse dynamics from the that source. The PDFs each contain a fully realised continuo part and part for violin III, doubling that of the viola ripieno. Click here to listen a recording of the piece.

Of Corelli's twelve Concerti Grossi Op.6, the last four are commonly referred to as concerti da camera.  These dance orientated works are generally considered technically and musically less demanding than the preceding eight concerti da chiesa and provide an excellent introduction to the genre. This edition adheres closely to the original and contains only the sparse dynamics from the that source. The PDFs each contain a fully realised continuo part and part for violin III, doubling that of the viola ripieno. Click here to listen a recording of the piece.

Of Corelli's twelve Concerti Grossi Op.6, the last four are commonly referred to as concerti da camera.  These dance orientated works are generally considered technically and musically less demanding than the preceding eight concerti da chiesa and provide an excellent introduction to the genre. This edition adheres closely to the original and contains only the sparse dynamics from the that source. The PDFs each contain a fully realised continuo part and part for violin III, doubling that of the viola ripieno. Click here to listen a recording of the piece.

Of Corelli's twelve Concerti Grossi Op.6, the last four are commonly referred to as concerti da camera.  These dance orientated works are generally considered technically and musically less demanding than the preceding eight concerti da chiesa and provide an excellent introduction to the genre. This edition adheres closely to the original and contains only the sparse dynamics from the that source. The PDFs each contain a fully realised continuo part and part for violin III, doubling that of the viola ripieno. Click here to listen a recording of the piece.

An arrangement for string orchestra/quartet of Corelli’s Opus VI No.VII. The violin III part doubles that of the viola.

Four concertos for four violins by Telemann, transcribed for viola quartet. The PDF contains the scores & parts for all 4 concertos. All four concertos are also available to purchase separately priced at just £3.

Four concertos for four violins by Telemann. The PDF contains the scores & parts for all 4 concertos.  All four concertos are also available to purchase separately priced at just £3.

An arrangement for string orchestra/quartet of one of Beethoven's more extended contredanses. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

One of a series of 'food' related pieces for junior orchestra. Click here to listen to a recording of the piece.

A delightful duet from Corrette's  'L'Ecole d' Orphée'  violin method, also available for two violins.

A delightful duet from Corrette's  'L'Ecole d' Orphée'  violin method, also available for two violas.

Three pieces for young string orchestra (approx. Grade 1-2) with 'cosmic' theme.

16 progressive & fun pieces in the first finger pattern by Peter Martin. Click here to view and listen to the full score on YouTube.

One of 4 Short Pieces for Violin and Piano, H.104 by Frank Bridge.

An engaging and rhythmically charged dance movement for cello trio. Also available in versions for viola and violin trio. Click here to listen to a recording of the piece.

An engaging and rhythmically charged dance movement for viola trio. Also available in versions for cello and violin trio. Click here to listen to a recording of the piece.

An engaging and rhythmically charged dance for violin trio. Also available in versions for cello and viola trio. Click here to listen to a recording of the piece.

One of a number of charming 'salon' pieces by Frank Bridge.

An arrangement for string quartet of Brahms’s celebrated Cradle Song.

A suite of three short pieces for young string orchestra Soldier Ants, Hippos & Kangaroos. The PDF contains a part for viola, doubling that of the violin II part. The piano part is optional. Click here to listen to a recording of the piece.

One of Puccini's few non-operatic compostions, written in 1890 'Alla memoria di Amadeo di Savoia Duca d'Aosta'.

Monti's celebrated Czardas in the original version for violin & piano.

Monti's celebrated Czardas transcribed for viola & piano.

An arrangement for violin and orchestra of Monti’s ’Czardas’.

Monti's celebrated Czardas (minus the harmonics) arranged for solo violin and string orchestra by Peter Martin. Also available in an arrangement for violin & full orchestra.

An arrangement for violin quartet of the Czardas from ’Coppelia’. The viola part doubles that of the violin IV.

The 'Czardas' from Delibe's ballet 'Coppelia', arranged for full orchestra. The PDF contains parts for violin III (doubling that of the viola) and trombone in Bb treble clef. Also available in an arrangement for string orchestra/quartet, and an abridged arrangement for violin quartet. Click here to listen to a recording of the piece.

The 'Czardas' from Delibe's ballet 'Coppelia', arranged for string orchestra/quartet. The PDF contains parts for violin III (doubling that of the viola) and double bass.  Also available for full orchestra and in an abridged arrangement for violin quartet. Click here to listen to a recording of the piece.

A companion piece to Scene from ’Swan Lake’, reduced and simplified for intermediate orchestra. Click here to listen to a recording of the arrangement. Also available in an arrangement for string orchestra.

The exhilarating 'Czardas' from Tchaikovsky's ballet ’Swan Lake’, arranged for string orchestra. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece. Also available in a version for full orchestra.

Johann Strauss Jr.'s 'Czechen Polka' arranged for String orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

The ‘Prayer’ from Rossini’s opera ‘Moses in Egypt’, arranged for string quartet/orchestra. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Ballets 1 & 2 from act II of Gluck’s opera ’Orphee’, commonly known as the ’Dance of the Blessed Spirits’. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The celebrated dance from Gluck’s opera ’Orfeo ed Euridice’ arranged for string orchestra/quartet.

The 'Dance of the Comedians' from Smetana's opera 'The Bartered Bride', abridged and arranged for string orchestra/quartet. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The ‘Dance of the Furies’ from Gluck’s ‘Orfeo ed Euridice’, arranged for string orchestra/quartet. Where possible, the wind parts have been incorporated into the arrangement. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The first section of Ponchielli's celebrated 'Dance of the Hours' from the opera 'La Gioconda', arranged for string orchestra/quartet by Peter Martin. The PDF also contains parts for violin III doubling that of the viola and double bass. Click here to listen to a recording of the piece.

The final section of Ponchielli's celebrated 'Dance of the Hours' from the opera 'La Gioconda', arranged for string orchestra/quartet by Peter Martin. The PDF also contains parts for violin III doubling that of the viola and double bass. Click here to listen to a recording of the piece.

The Dance of the Merlitons arranged for string orchestra/quartet from Tchaikovky's ballet 'The Nutcracker'. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The 'Dance of the Sugar Plum Fairy' from Tchaikovsky's ballet 'The Nutcracker', arranged for string quartet/orchestra by Peter Martin. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Rimsky-Korsakov’s exhilarating orchestral show piece from the his opera ’The Snow Maiden’. Click here to listen to a recording of the piece.

A suite of three Renaissance dance tunes for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

Eight dances from ‘Terpsichore’ arranged for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

'Six Petits Duos' for three violins by the French composer Charles Dancla. Please note that the PDF contains only a complete set of parts and no score. Click here to listen to a recording of the first movement of the fourth trio.

This abridged arrangement of Saint-Saens celebrated dance aims to maintain the spirit of the original, whilst making accessable to younger players. Click here to listen to a recording of the arrangement.

Debussy's Sonata for Violoncello & Piano.

The final chorus from the oratorio ’Solomon’ arranged for string orchestra/quartet. The famous ’Arrival of the Queen of Sheba’ forms the Sinfonia to the second part of the same work. The 3rd violin part doubles the viola.

The last song from Schubert’s much loved song cycle ‘Winterreise’ arranged for string quartet/orchestra. The PDF also contains parts for violin III (doubling that of the viola} and double bass. Click here to listen to a recording of the piece.

Two short pieces, originally written for piano, arranged for string quartet/string orchestra. The violin III part doubles that of the viola and the PDF contains separate part for double bass. Click here to listen to a recording of the piece.

One of three beautifully crafted and virtuosic solos for violin & piano by Charles Dancla.

The last aria from Purcell’s opera ‘Dido and Aeneas’, arranged for string orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece. This piece is also included in the collection ‘Music from Dido and Aeneas’ along with nine other pieces from the opera.

A short but effective ’diversion’  on 'London Bridge' and 'Oranges and Lemons' for young string orchestra of moderate difficulty. Click here to listen to a recording of the piece.

10 diverse pieces from string quartet/orchestra with optional percussion.  The PDF contains parts for violin III (doubling that of the viola) and double bass. The last three pieces together form an attractive miniature suite of Latin American dances. Click here to listen to a recording of the pieces.

5 contrasting diversions on the theme from Paganini’s 24th Caprice for violin & piano. Listen to the piece here.

Five contrasting diversions on the much celebrated theme from Paganini’s 24th Caprice for string orchestra/quartet. The PDF also contains a part for violin III (doubling that of the viola). Click here to view and listen to the complete score on YouTube. Also available in a version for violin and piano.

A selection of  pieces from the young Mozart's 'London Sketchbook' (written during the composer's eighth year) arranged for string orchestra/quartet. Seven pieces have been drawn from the collection to form this five movement divertimento. The PDF contains parts for violin III, doubling that of the viola, and double bass. Click here to listen to a recording of the piece.

A selection of eight stylised pieces from Czerny's Op.139 and Op.453, arranged for string quartet/orchestra by Peter Martin. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the pieces.

A divertimento in three movements, written in 1994 for Jez Ainsworth and the Oldham Youth Brass Ensemble. The PDF also contains parts for Tenot Horn in Eb, doubling Horn in F, Euphonium, doubling Trombone and Tuba in Bb, doubling Tuba. Click here to listen to a recording of the piece.

This delightful divertimento provides an excellent ’concerto’ opportunity for the young aspiring pianist. The viola part doubles the second violin part.

Three short contrasting movements for piano trio. Click here to listen to a recording of the piece.

A transcription for string trio of the composer's popular sonatina for piano or harpsichord. The PDF includes a part for violin, doubling that of the viola. Click here to listen to a recording of the piece. Also available in versions for harpsichord/piano & strings and string orchestra.

The Divertimento for Strings is a 3-movement piece for string orchestra of approximately Grade 5/6 standard. The first movement is in sonata form and has a strong neo-classical flavour. The slow second movement has just one theme, stated twice by the 1st violins with varied accompianment. The 3rd movement, a skittish rondo, with numerous changes of meter. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

Comprising of two rhythmically charged outer movements, framing a gentle ballad, this Divertimento for Three Violas provides a welcome addition to the genre's somewhat limited repertoire. The PDF also contains a part for cello (doubling that of the third viola). Click here to listen to a recording of the piece.

Composed to celebrate the much-awaited retirement from teaching of CYM's Gill Tarlton (violinist) and John Kirby (cellist). Click here to listen to a recording of the piece.

Comprising of two rhythmically charged outer movements, framing a gentle ballad, this Divertimento for Three Violins provides a welcome addition to the genre's somewhat limited repertoire. The PDF also contains a part for viola (doubling that of the third violin). Click here to listen to a recording of the piece.

Comprising of two rhythmically charged outer movements, framing a gentle ballad, this Divertimento for Three Violoncellos (transcribed by John Kirby) provides a welcome addition to the genre's somewhat limited repertoire. Click here to listen to a recording of the piece.

A flexible trio in the first postion throughout, with movements drawn from Mozart's five divertimenti for two clarinets and bassoon K. 229.  The PDF also contains parts for violin, doubling that of the viola I part, and cello, doubling that of the viola III part. Click here to listen to a recording of the piece.

One of James Hook’s delightful three movement flute trios. Click here to listen to a recording of the piece.

James Hook's delightful trio in three movements, transcribed for viola trio.

Three movements from Haydn's Divertimento in B Flat, H 2/46, "St. Anthony Chorale", arranged for string orchestra/quartet. All bowings and dynamics are editorial. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Mozart's Divertimento in D major KV 136 transcribed for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

An arrangement for string quartet/orchestra of the Divertimento in F KV 213, originally scored for 2 oboes, 2 horns and 2 bassoons. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

This divertimento, drawn from the composers keyboard pieces, provides an attractive introduction to the music of the latter half of the 18th century. Suitable for both string orchestra and string quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

A flexible trio in the first postion throughout, with movements drawn from Mozart's five divertimenti for two clarinets and bassoon K. 229.  The PDF also contains parts for viola, doubling that of the violin II part, and   viola and cello, doubling that of the violin III part. Click here to listen to a recording of the piece.

Four pieces from James Hook's 'Guida di Musica', combined to form a delightful divertimento for young string orchestra /quartet. The PDF contains parts for violin III (doubling that of the viola ) and double bass. Click here to listen to a recording of the piece.

James Hook's delightful trio in three movements, transcribed for string trio.

James Hook's delightful trio in three movements, transcribed for violin trio.

One of three delightful divertimenti for 2 violins and cello. The additional viola part doubles that of the 2nd violin.

An adaptation of the composer’s ‘Divertimento for Brass’ for string orchestra. The PDF contains a part for violin III, doubling that of the viola. The smaller notes in the cello part can be omitted if the double bass part is covered. Click here to listen to a recording of the piece.

A topical driving rock piece for string quartet/orchestra. The PDF also contains parts for violin III, doubling that of the viola, and double bass. Click here to listen to a recording of the piece.

The first of six delightful pieces for two violins and piano by the Czech composer Franz Drdla. The PDF also contains a part for viola, doubling that of the violin II part. Click here to listen to a recording of the piece.

Three traditional Irish tunes arranged for string orchestra or quartet. The PDF also contains a part for violin III, doubling that of the viola. The violins might choose to swap parts from time to time! Click here to listen to a recording of the piece.

Five pieces from Roman's delightful 'Drottningholm Music', transcribed for string orchestra/quartet. The violin III part doubles that of the viola. Click here to listen to a more realistic performance of the pieces.

The first piece in the ‘Four Nations’ series for junior strings. The PDF also contains a part for viola. The 'burps' are optional. Click here to listen to a recording of the piece.

The much loved duet from Bizet's opera 'The Pearl Fishers', abridged and arranged for string quartet/orchestra. The PDF contains a part for violin III, doubling that of the viola). Click here to listen to a recording of the piece.

From Telemann's 'Der getreue Musikmeister', originally composed for flute or viole di gamba duet.

From Telemann's 'Der getreue Musikmeister', originally composed for flute or viole di gamba duet.

The collection contains twelve pieces - three using just open strings, followed by three groups of three pieces, progressively introducing the first, second and third fingers. The harmonics at the end of pieces 9 and 10 are optional. The PDF contains melody parts for violin, viola and cello. Click here to listen to a recording of the piece.

A much abridged and simplified version of Pachelbel's opus. The PDF also contains a part for viola. Click here to listen to a recording of the piece.

Eccles's Sonata in G Minor for Viola & Piano.

A much abridged but extremely playable arrangement of Mozart's famous opus. Suitable for string orchestra or string quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to view and listen to the full score on YouTube.

Mozart's serenade, unabridged and unsimplified. The PDF contains a part for violin III, doubling that of the viola. Click here to view a simplified and abridged arrangement of the piece.

Villoldo's much celebrated tango, arranged for string quartet/orchestra. The PDF also contains parts for violin III, doubling that of the viola, and double bass, enabling the arrangement to be played by full string orchestra. Click here to listen to a recording of the piece.

El Noi de la Mare (The Child of the Mother), a traditional Catalan Christmas/Folk song, arranged for string orchestra/quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to the piece.

A catchy and extremely playable beguine for orchestra. The violin III part doubles that of the viola. A number of parts (oboe,basson & trombone), whilst desirable, are optional. Click here to listen to a recording of the piece.

Saint-Saens' Elegie for Violoncello & Piano Op.143.

Faure's Elegie Op.24 for Violoncello & Piano.

Elgar wrote this short but highly intense elegy in memory of his friend August Jaeger, who died in 1909. Click here to listen to a recording of the piece.

Glazunov's Elegy Op.44 for viola & piano. This score is a PDF of a scanned edition, now in the public domain and therefore has no Scorch file attached.

Originally composed for piano in 1932 (not to be confused with the Serenade for Strings Op.20) this short but typically Elgarian piece was dedicated to the composer's longtime friend and editor John Austin. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

A short and catchy dance like piece for young mixed strings and piano. The PDF also contains a part for viola (doubling that of the violin II part) and melody parts for viola & cello. Swap the tambourine for sleigh bells and you’ve got additional Christmas repertoire!  Click here to listen to a recording of the piece.

The third entr’acte from Schubert's incidental music for the drama 'Rosamunde', arranged for string orchestra/quartet. The PDF also contains parts for violin III (doubling that of the viola} and double bass, enabling the arrangement to be performed by full string orchestra. Click here to listen to a recording of the piece.

Evoking the Chinese festival of the Dragon. The percussion parts, whilst optional, greatly enhance the performance. The violin III part doubles that of the viola. Click here to listen to a recording of the piece created using Wallander's NotePerformer plug-in. Click here to view and listen to the full score on YouTube.

One of four pieces taken from Beethoven's Serenade Op.25, arranged for string trio. The PDF also contains a part for violin II, doubling that of the viola. Click here to listen to a recording of the piece. Save money here by purchasing all four pieces in one album.

'Entry of the Gladiators', originally titled 'Grand Marche Chromatique', was composed in 1897 by the Czech composer Julius Fucik. It gained lasting popularity as a 'screamer' march for circuses, often used to introduce the clowns. Click here to listen to a recording of the piece created using Wallander's NotePerformer.

One of a number of highly attractive and playable salon pieces by Carl Bohm. To view other pieces available by this composer, simply enter his name into the search by composer box.

Waldteufel's adaptation of themes from Chabrier's Espana, arranged for string orchestra. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The 'Evening Prayer' from Humperdinck's opera 'Hansel & Gretel', arranged for string orchestra. Click here to listen to a recording of the piece.

10 fun songs for everyday singing, ideal material for Key Stage 2 and Wider Opportunities programmes.

Corrette’s Fanfare, arranged for flexible string ensemble. Both the Violin I-C and Viola A parts are the same as Violin I-A but an octave lower. Violin I-C and Viola B are simplified versions of the main melody. There are both ensemble and melody parts for cello. Click here to listen to a recording of the piece.

Fanfare and National Anthem, 'God Save the Queen', arranged for orchestra by Peter Martin. Purchase the scores & parts for all four of our ‘Last Night of the Proms’ arrangements in one PDF, 'Last Night of the Proms', for just £24, as opposed to £42 when purchasing the items separately. PDF contains 'Fanfare & National Anthem', 'Jerusalem', 'Rule Britannia' & 'Land of Hope & Glory'. Click here to view/listen to all four 'Prom' related pieces.

Wieniawski's Fantaisie Orientale for violin & piano. This score is a PDF of a scanned edition, now in the public domain and therefore has no Scorch file attached.

The hauntingly beautiful Fantasia in D Minor, originally composed for piano, arranged for string quartet/orchestra. The PDF contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The last movement of Bizet’s ’L’Arlesienne Suite No.2’ arranged for intermediate/school orchestra. Click here to listen to a recording of the piece

The last movement of Bizet’s ’L’Arlesienne Suite No.2’ arranged for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece. Also available here in a version for full orchestra.

Five fun variations on Old MacDonald, written for mixed ability junior string group. The PDF contains viola parts doubling those of violin I & II, a cello- melody and easy cello part, and an open string double bass part. Click here to listen to a recording of the piece.

'Fast Lane', a driving concert opener for string quartet. The violin III part doubles that of the viola. Click here to listen to a recording of the piece created using Wallander's NotePerformer plug-in.

Three diverse and fun pieces in the first finger pattern for young string players & piano, with optional percussion. The PDF also contains melody parts for viola & cello. Click here to listen to a recording of the pieces.

A short festive overture for Junior/Training orchestra. Click here to view and listen to the score on You Tube.

A short but effective hoedown for young mixed ability string group. Ideal for that hastily arranged end of term concert. The PDF contains melody parts for viola and cello, and a part for viola, doubling the easy violin part. Click here to listen to a recording of the piece.

12 fun pieces for beginner string players in the first finger pattern with mp3 backing tracks. Parts are included for viola and cello making the collection ideal for use with mixed string W.O. groups. Click here to listen to samples of the pieces. Also available in a version for beginner strings and piano.

12 fun pieces for beginner string players in the first finger pattern with piano accompaniment. Parts are included for viola and cello making the collection ideal for use with mixed string W.O. groups. Also available in a version for beginner strings with backing track accompaniment. Click here to view and listen to the full score on YouTube.

Ten diverse pieces for young viola trio, with melodic interest distributed between the three parts. All are playable in the first finger pattern. Click here to listen to a recording of the pieces.

Ten diverse pieces for young violin trio, with melodic interest distributed between the three parts. All are playable in the first finger pattern. Click here to listen to a recording of the pieces.

The finale of Beethoven’s 5th Symphony, abridged and arranged for intermediate orchestra. Click here to listen to a recording of the arrangement.

One of four pieces taken from Beethoven's Serenade Op.25, arranged for string trio. The PDF also contains a part for violin II, doubling that of the viola. Click here to listen to a recording of the piece. Save money here by purchasing all four pieces in one album.

Fiocco's celebrated Allegro, arranged for violin & piano by Arthur Bent & Norman O'Neill.

An unabridged arrangement for string quartet/orchestra of Fiocco's celebrated 'Allegro'. The PDF contains a part for violin III doubling that of the viola. Also available in simplified versions for String Quartet, Viola Quartet, Violin and Piano and Violin Quartet. Click here to listen to a recording of the piece.

Like fast food, this piece can be prepared in minutes. Easily learnt by rote, it provides ideal material for those thankfully rare occasions when a school gives little or no notice of an impending assembly or concert. The PDF also contains a part for viola, doubling that of the violin II part. Click here to listen to a recording of the piece.

Five fantasias selected and transcribed for viola from Telemann's Twelve Fantasias for violin without bass, composed in 1735.

Five fantasias selected from Telemann's Twelve Fantasias for violin without bass, composed in 1735.

Five contrasting pieces from Grieg’s ‘Lyric Pieces’ Op.12, arranged for string orchestra/quartet. The PDF contains parts for violin III, doubling that of the viola, and double bass. Click here to listen to a recording of the pieces.

Up-beat arrangements of five traditional carols. Although originally written for violin & piano, the violin part is easily adapted to suit most melody instruments. Click here to listen to a recording of the piece.

An impressive and rhythmic concert 'opener' for intermediate string orchestra. The PDF contains a violin III part, doubling that of the viola. Click here to view and listen to the complete score on YouTube. 

One of two concertos in G major for flute, strings & continuo by Pergolesi available on this site.

A festive and playful sleigh ride for string orchestra by Peter Martin. The violin III part doubles that of the viola. The PDF contains versions with & without the transposition into Eb towards the end of the piece. Click here to listen to a recording of the piece. Click here to view and listen to the full score on YouTube.

‘Fossils’, the twelve movement from ‘The Carnival of the Animals’ by Saint-Saëns, arranged for string quartet/orchestra by Peter Martin . The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

The Andante-Allegro and Minuetto from Ernst Schmidt's ' For Pieces for Four Violins'. The PDF contains only the four individual parts and no score.,

Written largely because there just isn't much music around for viola trio! Playable by good grade 3 standard players, and suitable as G.C.S.E. ensemble pieces. Designed to be played from the score?, there are no individual parts with this item.

Written largely because there just isn't much music around for violin trio! Playable by good grade 3 standard players, and suitable as G.C.S.E. ensemble pieces. Designed to be played from the score, there are no individual parts with this item.

Four pieces taken from Beethoven's Serenade Op.25, arranged for string trio. The PDF also contains a part for violin II, doubling that of the viola. Click here to listen to sample recordings of the pieces. The four pieces are also available to purchase separately. Click on the links below in order to visit each piece's individual score page.

 1 - Entrata

2 - Menuetto

3 - Allegro Molto

4 - Finale

Bruch's Four Pieces for Violoncello & Piano Op. 70.

Frederick II (the Great) was an extremely talented flautist and composer. Although most of his output featured his beloved flute, there are a number of lesser known yet highly attractive instrumental pieces in the true Rococo style. This allegro andante presto is taken from the Sinfonia in G and originally scored for strings and continuo. The violin III part doubles that of the viola. Click here to listen to a recording of the piece. A PDF containing all three movements is also available, priced at just £6.

Frederick II (the Great) was an extremely talented flautist and composer. Although most of his output featured his beloved flute, there are a number of lesser known yet highly attractive instrumental pieces in the true Rococo style. This andante is taken from the Sinfonia in G and originally scored for strings and continuo. The violin III part doubles that of the viola. Click here to listen to a recording of the piece. A PDF containing all three movements is also available, priced at just £6.

Frederick II (the Great) was an extremely talented flautist and composer. Although most of his output featured his beloved flute, there are a number of lesser known yet highly attractive instrumental pieces in the true Rococo style. This presto is taken from the Sinfonia in G and originally scored for strings and continuo. The violin III part doubles that of the viola. Click here to listen to a recording of the piece. A PDF containing all three movements is also available, priced at just £6.

Frederick II (the Great) was an extremely talented flautist and composer. Although most of his output featured his beloved flute, there are a number of lesser known yet highly attractive instrumental pieces in the true Rococo style. Nowhere more is this demonstrated than in the charming Sinfonia in G, originally scored for strings and continuo. The violin III part doubles that of the viola. Click here to listen to samples of each movement. Please note that the Scorch file contains only the first movement. The three movements are also available separately, priced at £3.

An arrangement of three french baroque pieces for young string orchestra/quartet (Grade3-5).

1. Le Tambourin - J.P. Rameau
2. Les Moissonneurs - F. Couperin
3. Le Coucou - C. Daquin

The PDF contains a violin III part, doubling that of the viola. Click here to listen to a recording of the piece.

3 pieces from Playford’s ’The English Dancing Master’ arranged for string orchestra/quartet. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the pieces.

Four well-known pieces from the baroque period arranged for 2 violins, cello and piano. The PDF also contains parts for the viola, doubling violin I, violin II and cello, and easier parts for violin and viola. Click here to listen to a recording of the pieces.

Two pieces for youth or amateur orchestra with a distinctly cinematic flavour. Click here to listen to a recording of the piece.

The first of Telemann's delightful 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

The fourth of Telemann's delightful 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

The fifth of Telemann's delightful 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

The second of Telemann's charming 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

The sixth of Telemann's delightful 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

The third of Telemann's delightful 'Fugues légères & petits jeux', arranged and edited for mixed string duet. All dynamics are editorial. The PDF also contains parts for viola and cello, doubling that of the second violin. Click here to listen to a recording of the suite.

A suite of pieces taken from David Funck's 'Stricturae viola-di gambicae'. All bowings and dynamics are editorial. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

One of Gounod's short pieces for piano, "Funeral March of a Marionette", here arranged for orchestra, received a new and unexpected lease of life from 1955 when it was first used as the theme for the television series Alfred Hitchcock Presents. Click here to listen to a recording of the piece.

An arrangement for string quartet of Beethoven's celebrated and much abused piano piece. The PDF also contains parts for violin III (doubling that of the viola) and double bass. Click here to listen to a recording of the arrangement.

Six pieces, arranged for string orchestra/quartet, from the young Mozart's 'Gallimathias Musicum'. Entered in Leopold Mozart's catalogue of his son's music as 'A quodlibet with the title Gallimathias musicum'. Composed to celebrate installation of Prince William of Orange as heir to Dutch throne on 11 Mar 1766.

A sparkling arrangement of the 15th century carol. Ideal opener for your Christmas concert/Festival. Click here to listen to a recording of the piece.

A sparkling arrangement for string orchestra and optional percussion of the 15th century carol. Although the percussion parts are optional, the addition of just the tenor drum part greatly adds to the performance. The violin III part doubles that of the viola. Click here to listen to a recording of the piece.

Popper's Gavotte Op. 23 for Violoncello & Piano.

Mozart's festive German Dance (Sleigh Ride) arranged for augmented orchestra. Click here to listen to an mp3 of the piece created using Wallander's NotePerformer plug-in for Sibelius. Click here to view and listen to the score on You Tube.

Gershwin's charming 'Promenade' composed in 1937, arranged for string orchestra/quartet. The PDF contains parts for violin III, (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

Gershwin's 'Rialto Ripples' arranged for string quartet by Peter Martin.

A selection of four classic Gershwin songs arranged for string quartet - 'Clap Your Hands', 'It Ain't Necessarily So', 'Summertime' & 'Lady Be Good', priced at just £9. Each song is also available to purchase separately, priced at just £1.50 each.

Gershwin's delightful 'Three-Quarter Blues' composed in 1923, arranged for string orchestra/quartet. The PDF contains parts for violin III, (doubling that of the viola) and double bass. Click here to listen to a recording of the piece.

12 fun pieces in the first finger pattern for unison violins and piano. Parts are included for viola and cello. Click here to view and listen to the full score on YouTube.

Inspired by the short poem ‘Things that go Bump in the Night’ and including music by Bach and Saint-Saens, makes this ghoulish romp for string orchestra/quartet an ideal choice for the Halloween season. The PDF contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

An arrangement for string orchestra or quartet of two traditional carols, the Gloucestershire Wassail and Masters in this Hall. Click here to listen to a recording of the piece.

A transcription of Satie's Gnossienne No.1 for string orchestra/quartet. The PDF contains two arrangements - one with the melody in the violin I part throughout and one in which it is shared between violin I, II and viola. The violin III part doubles that of the viola. Click here to listen to a recording of the piece created using Wallander's NotePerformer plug-in for Sibelius.

An upbeat arrangement for junior orchestra of the ever popular spiritual 'Go Down Moses'.  The PDF also contains parts for Trumpets in Bb and Violas I & II, doubling those of the two violin parts. Click here to listen to a recording of the piece. Please contact us if you require parts creating for other instruments.

The first of four travel pieces for string quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The second of four travel pieces for string quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The third of four travel pieces for string quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The last of four travel pieces for string quartet. The PDF also contains a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The theme and four variations from Bach’s enigmatic ‘Goldberg Variations’, arranged for violin and violoncello by Peter Martin. All are playable in the first position throughout. Click here to listen to a recording of the piece.

The sixth piece from Debussy's suite 'Children's Corner' arranged for string quartet.

A bright and uplifting concert piece for elementary string group with piano and percussion. The viola part doubles that of the violin II. Click here to view and listen to the full score on YouTube. The piece is also available in an arragement for Junior Orchestra.

A bright and uplifting concert piece for junior orchestra. The PDF also contains parts for trumpet in Bb, viola (doubling that of the violin II part) and double bass. Click here to listen to a recording of the piece. The piece is also available in an arragement for junior strings.

Verdi's Grand March from 'Aida', in an abridged arrangement for string orchestra. Click here to listen to a recording of the piece.

Verdi's Grand March from 'Aida', in an abridged arrangement for flute quartet. Click here to listen to a recording of the piece.

An arrangement for string quartet of Satie's Gymnopedie No.1. The PDF also contain a part for violin III, doubling that of the viola. Click here to listen to a recording of the piece.

The Habanera from 'Carmen', arranged for string quartet/orchestra.

The Habanera from ’Carmen’ in it’s original scoring, from the second suite from ’Carmen’ assembled by Ernest Guiraud after Bizet’s death.

The celebrated chorus from Handel's Messiah abridged and arranged for string orchestra/quartet. The PDF contains a part for violin III,  doubling that of the viola. Click here to listen to an recording of the piece. Click here to view and listen to the full score on YouTube.

The celebrated chorus from Handel's Messiah abridged and arranged for orchestra. The PDF contains a part for violin III,  doubling that of the viola. The piece can be played, with varying degrees of success, by strings and any combination of wind and brass. Click here to listen to an recording of the piece.

Three short and spooky pieces for open string violinists and piano by Peter Martin. The PDF also contains parts for viola and cello in which the violin’s open Es are replaced by first finger E on the D string. Click here to listen to a recording of the pieces.

A celebration for junior/training orchestra of the Jewish festival of Hanukkha.

Foot tapping number in the first finger pattern for elementary string group. Click here to listen to a recording of the piece.